Organising tour for Signed Act :: essays research papers

In order to organise a tour for a signed act, it takes the efforts of management, the record company, agent and promoter. Although each have their individual responsibilities and ways of working it is required of them to work together as a team in order to make a tour possible, or even for just one gig. They each contribute an essential part of the process and organisational strategies and without co-operation of each unit organising a tour would be practically impossible. Disagreements could cause much of an inconvenience and the music industry being so large with so many people disagreements are not uncommon as everyone has their own opinion. Compromise is perhaps the only key, therefore working with open minded people makes it much easier. Often the job descriptions of each unit intersect and are hard to define, which can sometimes be helpful as different people can do the same job from different angles, however it can also get confusing and cause problems often being the result of communicational breakdowns. In this essay we shall study what each unit does and how they work together looking at the advantages and disadvantages of certain aspects and perhaps discuss ways in which the system could be improved. Management The management company works with the artist more so than anyone else. They play a dominant role in their interaction with people in the music industry (agents, promoters, record labels). Their own interaction with the artist is direct and they often have a freindly relationship with the artist. I spoke to an unsigned rock band with a management contract to find out exactly what they do for them. Their management company were an established music company who create music for adverts and therefore have knowledge and contacts within the industry. They provide the band with financial backing for equipment, recording sessions and any other finances to support the band. They also act as an agent for the band and book gigs by contacting promoters and promoters also often contact them. Their relationship with the band is very friendly and are on terms were they both work for each other. Their management push and motivate the band to work as hard as they can to improve their material and perhaps influence it to be what a record company might want to hear. They are usually responsible for any exposure the band receive, for example interviews, airtime, music journals etc.